Chic featuring Nile Rodgers
@ the Love Supreme Jazz Festival
6 July 2013
Click an image to enlarge.
Nile Gregory Rodgers is considered one of the most influential
music producers in the history of popular music.
Rodgers began his career as a session guitarist in New York, touring
with the Sesame Street band in his teens, and then working in the
house band at Harlem’s world famous Apollo Theatre –
playing behind Screaming Jay Hawkins, Maxine Brown, Aretha Franklin,
Ben E. King, Betty Wright, Earl Lewis and the Channels, Parliament
Funkadelic, and many other legendary R&B artists.
Rodgers met bassist Bernard Edwards in 1970. Together they formed
The Big Apple Band that backed R&B act New York City (“I’m
Doing Fine Now”). The band’s one hit allowed them to
tour extensively, even opening for The Jackson 5 on the American
leg of their first world tour in 1973. New York City disbanded after
their second album failed to yield a hit, but Rodgers and Edwards
joined forces with drummer Tony Thompson, and worked and recorded
as a Funk Rock band called The Boys. They played numerous gigs up
and down the East Coast. Despite major label interest in their demos,
they could not get a record deal when the record companies discovered
they were black; the excuse was that black Rock & Roll artists
would be too hard to promote. The band continued gigging, but more
often as the Big Apple Band, playing local bars.
Formation of CHIC
As the Big Apple Band, Rodgers and Edwards worked with Ashford
& Simpson, Luther Vandross and many others. But another New
York artist named Walter Murphy, got a hit record and his band was
also called The Big Apple Band. Rodgers and Edwards were forced
to change their band’s name to avoid confusion, hence the
R&B/Funk /Disco band CHIC was formed in 1977. Between gigs they
recorded their first album with their then boss Luther Vandross.
Luther provided the background vocals on the group’s early
recordings. The band scored numerous top ten hits and helped propel
Disco to new levels of popularity. CHIC’s chart-topping songs
“Le Freak,” “I Want Your Love,” “Everybody
Dance,” “Dance, Dance, Dance,” “My Forbidden
Lover,” and “Good Times” have become Club/Pop/R&B
standards. “Le Freak” is Atlantic Records’ only
triple platinum selling single and “Good Times” shot
to the #1 spot in spite of the Disco Sucks backlash in 1979.
The success of CHIC’s first singles led Atlantic to offer
Rodgers and Edwards the opportunity to produce any act on its roster.
They chose Sister Sledge, and the rest is history. The 1978 album,
“We Are Family,” peaked at #3 and remained on the charts
well into 1979. The first two singles, “He's The Greatest
Dancer” and the title cut “We Are Family” both
reached #1 on the R&B chart, and #6 and #2, respectively on
the Pop chart. “He’s The Greatest Dancer” was
sampled in 1998 to create Will Smith’s “Gettin' Jiggy
Wit It,” which was #1 Pop for three weeks.
As The CHIC Organization’s tight sound became increasingly
sought-after, Rodgers and Edwards began record production with numerous
artists – sometimes together, sometimes apart.
The 80’s were unquestionably Rodgers and Edwards’ most
successful decade commercially. In 1980 they wrote and produced
the album “Diana” for Diana Ross, yielding the smash
hits “Upside Down” and “I'm Coming Out.”
CHIC’s song “Good Times” played a pivotal role
in the explosion of Hip Hop music, as an interpolation of the song’s
bass-line and the record’s string-section sample, was the
bedrock of The Sugarhill Gang’s “A Rapper's Delight”
– the first multiple-platinum Hip Hop single. Edwards’
infectious bass-line also influenced Queen’s largest selling
single – the1980 hit “Another One Bites The Dust.”
The CHIC Organization produced the smash hit "Spacer”
for French Pop artist Sheila and B. Devotion and Deborah Harry’s
solo album “Koo Koo.” CHIC dissolved in 1983 after it’s
final contractual Atlantic album, Believer and Soup For One (a film
soundtrack). At that time Rodgers began a solo career producing
his first album “Adventures in the Land of the Good Groove.”
Rodgers then produced David Bowie’s biggest selling album
“Let's Dance” with several hit singles including “China
Girl”, “Modern Love” and the title track, “Let’s
Dance”. He produced the single “Original Sin”
by INXS, which led to Duran Duran. They worked extensively with
Rodgers after he co-produced their largest selling hit single, “The
Reflex” in 1983 and followed it up with “The Wild Boys”
on their 1984 live album “Arena.” That same year he
produced Madonna’s blockbuster album “Like a Virgin,”
spawning her two signature hits “Material Girl” and
the album's title track, “Like a Virgin.” He also joined
Robert Plant’s platinum selling studio band The Honeydrippers,
on the album “The Honeydrippers: Volume One.” This period
sparked Rodgers’ interest in soundtracks. The first of which
was “Alphabet City,” Gremlins (“Out Out”
- Peter Gabriel) “Against All Odds (“Walk Through the
Fire” - Peter Gabriel), That’s Dancing (“Invitation
to Dance” - Kim Carnes), White Nights (numerous songs) and
The Fly (“Help Me” - Bryan Ferry).
In 1985 Rodgers produced albums for Sheena Easton, Jeff Beck, The
Thompson Twins, Mick Jagger, and many others, while still finding
time to perform at Live Aid. He was awarded #1 Singles Producer
In the World in Billboard magazine to close out the year.
In 1986, he produced Duran Duran’s “Notorious”
album, which yielded a #2 title track hit, “Notorious.”
During a live set, Simon Le Bon introduced Rodgers by saying, “Well,
this band went through a difficult time and it might not have made
it if it weren't for this gentleman.” Rodgers contributed
to numerous other projects and appearances with members of the band
throughout the 1980s. He also produced albums for Grace Jones, Earth
Wind and Fire’s vocalist Phillip Bailey and Al Jarreau. Rodgers
performed on “Higher Love” with Steve Winwood, and records
for Cyndi Lauper, Howard Jones, and David Sanborn. He then worked
with Peter Gabriel on yet another soundtrack project, Laurie Anderson’s
“Home of the Brave.”
Rodgers formed the short-lived experimental band Outloud in 1987,
with David Letterman’s guitarist, composer and vocalist, Felicia
Collins, and acclaimed French session musician, producer, composer
and keyboardist, Philippe Saisse; they released a single album,
“Out Loud,” on Warner Bros.
In 1988 Rodgers composed his first orchestral soundtrack for the
film Coming to America (the second highest grossing film of the
year) starring Eddie Murphy. Rodgers followed this with soundtracks
for White Hot (the world’s first Hi-Def feature motion picture),
and Earth Girls Are Easy. The latter would pair him with The B-52’s.
In 1989 he co-produced their comeback multi-platinum album “Cosmic
Thing,” which had the hit singles “Love Shack,”
“Roam,” “Cosmic Thing” and “Deadbeat
Club.” That year he also produced “Working Overtime,”
Diana Ross’ return to Motown, a deal that scored her an executive
position at the label, along with releases by The Dan Reed Network,
“Slam,” and Duran Duran’s compilation, “Decade:
Greatest Hits,” which was appropriately titled. It was the
biggest music-selling decade of Rodgers’ life, as well as
many of the artists he worked with.
In September 1990, Epic Records released the Rodgers produced Vaughan
Brothers album, “Family Style,” shortly after the untimely
death of guitar virtuoso Stevie Ray Vaughan. Early in this decade
he also produced projects for David Bowie, Eric Clapton, The B-52s,
David Lee Roth, Ric Ocasek, The Dan Reed Network, Kathy Dennis,
Patty Griffin, Jimmy Vaughan, The Stray Cats and many others artists,
along with continuing soundtrack work on Thelma and Louise, Cool
World and The Beavis and Butthead Experience (co-writer of “Come
to Butthead”). After a 1992 birthday party where Rodgers,
Bernard Edwards, Paul Shaffer and Anton Fig played old CHIC hits
to rapturous response. Rodgers and Edwards reformed a new version
of CHIC. They recorded a fresh crop of material for the album CHIC-Ism
and performed live worldwide.
In 1996, Rodgers was honoured as the JT Super Producer of the year.
He performed with Edwards, Sister Sledge, Steve Winwood, Simon Le
Bon and Slash in a series of commemorative concerts in Japan, which
provided a career retrospective. Unfortunately, his long-time musical
partner and close friend Bernard Edwards died of pneumonia during
the trip, a blow that Rodgers took very hard. A year later Rodgers
returned to Japan to pay homage to his fallen partner and pave the
way to a new musical future.He started playing live concerts again
while composing and producing music for film soundtracks; Beverly
Hills Cop 3, Blue Chips, The Flintstones and Feeling Minnesota (working
with Bob Dylan) to name but a few.
In 1998, Rodgers founded Sumthing Else Music Works record label
and Sumthing Distribution, an independent music label distributor.
Sumthing focuses on distributing a fast-growing new genre: video
game soundtracks. Its titles include the complete Halo and Resident
Evil franchises and other well-known Triple-A game soundtracks like
Gears of War and Borderlands.
Rodgers focused on many soundtrack projects, film and video games
alike. Among them were: Rush Hour 2, Snow Dogs and Semi-Pro starring
Will Ferrell, who co-wrote the title song “Love Me Sexy”
with Rodgers. In 2002-2003 he co-produced “Astronaut,”
with the original five members of Duran Duran.
The September 11th tragedies prompted Rodgers to create the We
Are Family Foundation (WAFF) to help promote the healing process.
To begin, he organised a re-recording of the song he and Edwards
wrote for Sister Sledge called “We Are Family” with
more than 200 musicians, celebrities, and personalities. Director
Spike Lee filmed the “We Are Family” music video and
director Danny Schechter filmed a documentary depicting the recording
sessions called The Making and Meaning of We Are Family. The film
was chosen as a Sundance Film Festival Special Selection in 2002.
Rodgers continued the healing process and produced another “We
Are Family” music video involving more than 100 beloved children’s
television characters. The children’s music video airs as
a public service announcement on Disney Channel, Nickelodeon, and
PBS stations promoting a common humanity and celebrating the vision
of a global family.
Rodgers received the National Academy of Recording Arts (NARAS)
and Sciences NY Chapter's Governor’s Lifetime Achievement
Award and the Heroes Award. On September 19, 2005 he was honoured
at the Dance Music Hall of Fame in New York when he was inducted
for his many outstanding achievements as a producer, along with
former fellow band mate Bernard Edwards.
CHIC has been nominated to the Rock & Roll Hall of Fame six
times - 2003, 2006, 2007, 2008, 2010 and 2011. Rodgers served as
co-musical director for the tribute concert to Ahmet Ertegün
at the Montreux Jazz Festival in the summer of 2006. The concert
included performances by CHIC, Robert Plant, Steve Winwood, Stevie
Nicks, Kid Rock, Ben E. King, Chaka Khan, George Duke (co-music
director), Paolo Nutini and many other artists who were signed to
Ertegün's Atlantic Records.
Rodgers' autobiography, ‘Le Freak: An Upside Down Story of
Family, Disco and Destiny’ published by Random House (Spiegel
& Grau) and Little, Brown, was released in October 2011.
Rodgers received the We Are Family Foundation 2011 Humanitarian
Award. On October 24, 2011, he was honoured at We Are Family Foundation’s
10 Year Celebration Gala in New York City, for his tremendous efforts
and inroads into making the human condition better throughout the
In 2012, Rodgers served as a curator for the Montreux Jazz Festival,
creating the Freak Out! Montreux Dance Party, an incredible celebration
of the evolution of dance music. The evening included special performances
by Nile Rodgers & CHIC, Mark Ronson, Grace Jones, La Roux, Felix
da Housecat, Dimitri from Paris, Alison Moyet, Cerrone, Martha Wash,
Tavares, DJ Greg Cerrone, Ultra Naté, female world-champion
beatboxer Butterscotch, and Taylor Dayne.
Rodgers received the Winter Music Conference 2012 Lifetime Achievement
Award at the 28th Annual Dance Music Awards in Miami Beach on March
In March 2013, Rodgers was profiled in the highly rated BBC4 documentary
special, “Nile Rodgers: The Hitmaker.”