De La Soul
@ the Love Supreme Jazz Festival
6 July 2014
Click an image to enlarge.
Biography
Formed in 1985 in Amityville, Long Island, New York, De La Soul
consists of Posdnuos (Kelvin Mercer), Trugoy the Dove (David Jolicoeur),
and Maseo (Vincent Mason, Jr.), also known as Baby Huey Maseo and
Pasemaster Mase. The three chose their stage names from “inside”
jokes and references; “Trugoy” is “yogurt,”
Jolicoeur’s favorite food, spelled backwards, and “Posdnuos”
is a reversal of Mercer’s former nickname as a DJ. The three
met in high school, and after playing in various groups began putting
together a rap act distinguished by an offbeat selection of beats
and samples and the three friends’ personal slang. De La Soul
presented their first demo, “Plug Tunin”,” to
local rap star Prince Paul (Paul Houston) of the band Stetsasonic.
Houston was impressed enough to play the tape for a number of DJs
and other music figures, and De La
Soul became the unsigned sensation of the New York rap scene. The
band decided to sign with Tommy Boy Records in 1988.
The trio’s debut album, “Three Feet High and Rising,”
produced by Prince Paul and featuring guest turns by rappers the
Jungle Brothers and Q-Tip from A Tribe Called Quest, hit the stores
in 1989. It was a smash, and introduced a new look to the rap world:
the psychedelic style of The D.A.I.S.Y. Age, which stands for “Da
Inner Sound, Y’all.” The flowers that adorned the album’s
cover led many listeners to pigeonhole De La Soul as hippies. But,
as Trugoy told New York’s Matthew Weingarden, the band refused
the label from the start: “We don’t mind if people say,
‘You remind us of the hippie days, of sixties things,’
because there is some of that in our music. But we’re not
trying for that look - we’re just being us.”
Compared with many other late-1980s pop artists under the sway
of 1960s and 1970s culture, De La Soul used their influences creatively
and often subversively. Their samples frequently came from obscure
sources like cartoons, game shows, and non-rock pop records, some
of which came from their parents’ collections, as well as
familiar R&B, funk, and rock tunes. “The Magic Number,”
one of several popular tracks from “Three Feet High,”
sampled a 1970s educational cartoon about the number three, turning
the refrain into an anthem for De La Soul’s three members.
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