Fred Wesley
@ the PizzaExpress Jazz Club
29 July 2013
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Biography
TROMBONE PLAYER: Fred Wesley has no equals in
American music. Whether it’s jazz, funk, R&B, blues or
other, his solos are always hot.
BANDLEADER: From his direction of James Brown’s
fabled JBs to today’s Fred Wesley Group, he knows how to choose
the best musicians and meld them into tight units that generate
mad heat.
ARRANGER AND COMPOSER: Some of funk music’s
biggest hits by James Brown, the JBs, Parliament-Funkadelic and
Bootsy’s Rubber Band are living testaments to his skill, as
are his soulful jazz compositions such as “For the Elders,”
“La Bossa” and “No One.”
SIDE MAN: The reliability and fire he’s
contributed to bands ranging from the Count Basie Orchestra to the
American Idol Band, make him a sure bet in any setting.
AUTHOR: His half-century career is a treasure
trove of stories, some of which fill the pages of his compelling
memoir “Hit Me, Fred: Recollections of a Side Man.”
MUSICOLOGIST AND EDUCATOR: Wesley shares his wealth
of musical knowledge and experiences through liner notes, articles
and interviews, and with young musicians in settings including classrooms,
band rooms and recital halls at colleges and universities worldwide.
Born in Columbus, Ga., and raised in Mobile, Ala., Fred Wesley
began his professional career as a teenage trombonist with Ike and
Tina Turner. He was music director, arranger, trombonist and a primary
composer for James Brown from 1968-1975, then arranged and played
for Parliament-Funkadelic and Bootsy’s Rubber Band. He has
played with and arranged for a wide variety of other artists including
Ray Charles, Pancho Sanchez, New York Voices, Slide Hampton, Van
Morrison, the SOS Band and Cameo, to name a few. Scores of other
artists including Janet Jackson and Nas have sampled his work. Since
his stint with the Count Basie Orchestra, he has maintained a focus
on jazz – playing, recording, writing and promoting it. His
solo jazz recordings include “To Someone,” “Amalgamation,”
“Comme Ci Comme Ca,” “Full Circle” and “Wuda
Cuda Shuda.”
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