Reggae Britannia
@ the Barbican Centre
Featuring: Dennis Alcapone and Winston Reedy,
Dave Barker, Pauline Black, Ken Boothe, Ali Campbell, Brinsley Forde,
Janet Kay, Neville Staple,
Carroll Thompson, Big Youth, Dennis Bovell
5 February 2011 (Photography during Soundcheck)
Click an image to enlarge.
Reggae Britannia Tribute
Reggae & lovers rock stars filled
the Barbican stage for Reggae Britannia. Tickets for this anticipated
event sold out quickly… not surprising really as many of the
patrons who rushed to part with their extremely hard earned cash
will most definitely be eager to reminisce...
This is a rare opportunity for many
to gorge on the soundtrack of their lives ‘in a live setting’.
This will without doubt evoke memories of private house parties,
night clubs, smart newly ‘recycled fashions’, as well
as the West Indian - British and (British - West Indian) cultural
transition that seemed to accelerate at astounding pace in the mid
1970’s – 1980’s. Powerful political statements,
insecurities, love, passion, innocence, naivety, unrequited love
and much more. Still, somehow these amazing musicians managed to
tightly weave the above into a sweet musical fabric that made you
feel great. (Especially if you were entwined with the woman,
or man of your dreams at ‘that party or club’ at the
time)!
Reggae Britannia is not just a tribute to the many
naturally talented and tenacious individuals present and past who
have contributed to this amazing musical heritage, but also to the
many supporters of the music both inside and outside the industry
who continue their journey in this forever-changing cultural transition.
Reggae Britannia was recorded for broadcast on
BBC4, Friday 11 February 2011. Times have changed… but
still a long way to go. You never know…could be BBC1 next
year!
Janet Kay biography
Born Janet Kay Bogle (the first of 6 children)
in London to Jamaican parents, Clifton and Monica Bogle. Janet is
a descendant of the Jamaican National Hero the Rt Excellent Deacon
Paul Bogle.
As a sixties child, Janet was exposed to the singing
greats, especially those from the Tamla Motown stable and as a result
of the exposure and inspiration, Kay’s love for singing was
born.
In 1977, whilst in Secretarial College, Kay was
invited by her school friend Sonia Ferguson (who recorded a cover
version of Smokey Robinson's “Oh Baby Baby” in the late
70’s) to a band rehearsal. Destiny saw to it that band member
Tony Gad heard Kay singing in the rehearsal room. He was so impressed
with the sweetness of Kay’s voice that he introduced her to
the reggae legend, the Late Great Alton Ellis.
That meeting resulted in Kay recording a cover
version of Minnie Ripperton’s “Loving You” (produced
by Alton Ellis), which became a reggae smash hit spending many weeks
at No. 1 in the reggae charts.
The following year, 1978, saw Kay record 2 more
cover versions, '” Do Love You” and “That's What
Friends Are For”, again, both spending weeks at No. 1 in the
reggae charts.
In 1979, Kay made history by becoming the first
British born black female to have a reggae song at the top of the
British charts. The song “Silly Games”, (produced by
Dennis Bovell) was a hit not only in the UK but also in Europe.
Kay’s history making has been recorded in the Music Guinness
Book of Records.
Janet Kay’s songwriting prowess became evident
on the release of her first album “Capricorn Woman”.
The album was, and still is a best seller. All the songs except
2 were penned by Janet Kay.
By now, Kay had become known as the “Queen
of Lover's Rock”. In that same year Kay was presented with
the awards for Best 7” single, Best 12” single and Best
Female Vocalist 1979 by Black Echoes Music Newspaper.
Kay’s voice was not exclusive to only reggae
music and in the early 80’s she also penned and sung the soulful
“Eternally Grateful” which became an underground hit.
The early 8’'s also saw the collaboration between Kay and
reggae legend the Late Jackie Mitto with the Randy Crawford classic,
“You Bring The Sun Out”.
In 1980, after a chance meeting with actor/singer
Victor Romero Evans, Janet was introduced to the theatre company
‘Black Theatre Co-operative’. A successful audition
saw the birth of Janet's theatrical career, in the play ‘Mama
Dragon’ by Faroukh Dhondy’s which toured England and
Europe.
Kay has since appeared in several films, numerous
TV appearances, theatre plays touring the UK and Europe and radio
plays. In 1981, Kay also starred in the ‘Black Theatre Co-operative’s'
TV sitcom ‘No Problem’ (LWT/Channel 4), the first black
TV show which was created and conceived by a black theatre company.
The show became a cult classic.
The late 80’s saw Kay’s collaboration
with the singer/producer Lloyd Charmers with the cover album “Sweet
Surrender”. In 1990 Kay collaborated with Beats International
(Norman Cook aka Fat Boy Slim) on their track Burundi Blues. Following
this collaboration, Kay was invited to feature on Lindy Layton’s
version of Silly Games.
In the early 90’s Kay, along with fellow
actresses Judith Jacob, Suzanne Packer, Suzette Llewellyn, Beverley
Michaels, Josephine Melville and the Late Joanne Campbell formed
the highly successful female theatre company the Bibi Crew. All
the shows were written produced and directed by the Crew. In 1991,
the album “Sweet Surrender” was renamed “Lovin'
You, Best of Janet Kay”, (which included a newly recorded
version of “Lovin' You”), and was released in Japan.;
The track “Lovin' You” propelled Janet to stardom in
Japan. Kay subsequently signed to Sony Music (Japan).
Over the years Janet Kay has collaborated with
top producers, Drummie Zeb and Tony Gad (Aswad), Junior Giscombe,
Jeremy Meehan, Shinichi Osawa (Japan), Kodama & Gota (Japan),
Omar and Sly and Robbie. Kay’s albums have sold in excess
of a million copies in Japan, “Love You Always” selling
over 400 thousand copies in its first year alone. Japan entitled
“La Dolce Vita”, alongside the renowned Japanese composer
Taro Iwashiro.
In recent years Kay has visited Japan, performing
at the exclusive Blue Note Night Club for 2 to 3 weeks at a time
in Fukuoka, Osaka, Yokohama, Nagoya and Tokyo.
In 2006/7 Kay returned to theatre, where she appeared
as the Fairy Godmother in Hackney Empire’s Pantomime, ‘Cinderella’,
which the Evening Standard rated the best ‘Panto of the season’.
Kay is currently promoting and performing, along with Victor Romero
Evans and Carroll Thompson, their newly devised ‘Lover’s
Rock Unplugged’ shows.
Kay has recently recorded a cover version of “Take
A Bow” which appears as the No. 1 track on the “Covers
for Reggae Lovers” album on the VP Label. Kay has also crossed
genres by recording and releasing a Funky House track entitled “So
Good” where she features along side Spoonface (available for
download only).
Kay’s talents are not exclusive to singing
and drama. Janet is an accomplished Machine Knitter/Designer and
Lacemaker her works have been published in craft editorials. Janet
also designs and builds websites and has recently completed a Film
Editors course and already she has co-edited a short feature film
by Clive Gandison ('Evergreen Man'), starring Victor Romero Evans,
which was recently nominated for an award by the BFM.
Janet Kay has been voted one of Britain’s
Top 100 Black Britains by the Evening Standard and she has also
been presented with many awards over the years including, Silver
Disc for Silly Games, Best Female Singer, Best 7” and Best
12” Single (1979), Memorial Disc to Commemorate the overall
success of Janet Kay Albums in Japan, presented by Sony Music Japan
(1995), Women of Merit by Darker than Blue in Association with Barclays
(2002), Contribution to British Black Music Industry (2001) and
Outstanding Contribution to British Reggae (2009) to name but a
few.
Carroll Thompson biography
Carroll Thompson was raised in the gospel traditions
of her grandmother’s house, and the church she was minister
for, Thompson’s vocal and musical talents soon became evident.
Studying classical piano from the tender age of
eight, by the time she was twelve she scored first place in the
National Youth Convention with her own composition “I Know
He Is With Me”. By the time she left college with a business
degree, Thompson was running her own production company and Record
label.
As songwriter and producer Thompson experienced her first real chart
success. The timeless ‘I’m So Sorry” shooting
straight to number one in the British Reggae Charts.
With the release of singles like “Simply
In Love”, ‘Just A Little it”, ‘Happy Song”,
Hopelessly In Love” and “Yesterday” and her classic
debut solo album “Hopelessly In Love” she was quickly
established as one of the UK’s finest female vocalist affectionately
dubbed the Queen of Lovers Rock selling over 750,000 units worldwide.
The timeless album ‘Hopelessly in Love’
still remains a best seller and has now achieved iconic status,
with Thompson’s warm vocals and honest songwriting, symbolising
and capturing the magical era of Lover Rock.
Her talents as Music composer and music consultant
where credited on the the UK Channel Four film and soundtrack “Babymother”
and also the UK film “Knights And Emeralds” where the
self penned and produced “Ready or not” featuring her
lead vocal.
Carroll Thompson’s writing and production
skills have been utilised by the likes of Channel Four, the BBC
and Comedy Central USA to name just a few. Recent documentary credits
include Kings and Queens of Comedy, History of Female Comedy and
History of Jewish Comedy, The history of Hip Hop comedy (featuring
the likes of Richard Pryor, Bernie Mac, Bill Cosby and many more.
After a brief stint collaborating and arranging
vocals for Jools Holland and creating specialised remixes with the
Mad Professor for acts including Sade and Massive Attack, Carroll
started a new project writing and featuring on vocals with Japanese
music guru Gota And The Heart Of Gold Band which also featured Heitor
T.P. and Ian Kirkham (Simply Red) and Drummie Zeb and Tony Gad (Aswad)
and Japanese guitar Guru Kenji Jammer. With the success of GOTA,
Thompson’s production company signed to Toshiba/EMI and released
three top charting solo albums in Japan.
Thompson’s vocal arranging talents being
in demand can be currently heard on adverts such as “Celebrate
Good Times” (Celebration Chocolates) “Ain’t No
Mountain High Enough” for DHL and “I’m Every Woman”.
When time permits Thompson works as A&R consultant,
writing and producing for new talent and occasionally facilitating
singing/song writing master classes and also ‘surviving the
music industry’ workshops for aspiring musicians.
She regularly contributes on BBC Radio London ‘Sunday Night
Special” and co presents a relationship program BBC 5 Live.
2007 saw her entrepreneurial spirit help launch
Colourtelly.TV; ‘Britain’s first online television station
for black interest programming’ created with her partner Dotun
Adebayo MBE. Primarily due to the dissatisfaction of the lack of
African/Caribbean presence on mainstream television This platform
also screens the ever popular “Lovers Rock Lounge” a
program which she hosts and produces, highlighting established and
new Lovers Rock artists singing live in session once a month. A
club session and program dear to Thompson’s heart, “An
opportunity to keep alive and breathe life into a quintessentially
British Genre which is much loved and under represented.”
quotes Thompson.
Reggae Britannia Tribute by Robin
Francis
© Michael Valentine Studio Ltd.
All biographies from artists’
own websites (edited by Robin Francis)
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