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26 May 1926 – 28 September 1991

This man needs little introduction. I felt slightly embarrassed while typing his name in my flash software, which creates the rising name bar at the top of this page. Some individuals do not need their name in lights, or flashy titles.

At some stage in the near future I will complete Davis’ biography and the review for “Kind of Blue”, “Tutu” etc, but unlike many of the other reviews I feel compelled to complete… there is definitely no rush here.
I cannot possibly add anything that has not already been said a million times over!

Miles Davis’ solemn gritty voice and physical aura used to scare me as a child. (So did the actress Betty Davis). As I got older my fear of Miles Davis turned to admiration. I have seen many documentaries and spoken with individuals who have been fortunate enough to witness him perform live. They all confirm that he was quite a shy, insecure man.

I have also grown to admire Betty Davis, but the sound of her voice and sheer physical presence on film still sends a shiver down my spine.

The album “Kind of Blue” was one of my first ‘real jazz albums’ and was definitely one of the first jazz albums to encourage me to really explore the rich, eclectic world of jazz. What a way to start. And quite frankly, possibly the only way to start!

I do remember having a conversation about Davis with my father while we were both decorating part of the house in the early 1990’s (I would have been in my mid twenties). Our conversation swayed from one subject to another and eventually swung round to music. I mentioned the name Miles Davis to him, to which he replied,

“Never heard of him!”

I nearly fell off my ladder in shock, horror and disbelief. I didn’t regard my father as an out-and-out music buff, or staunch jazz head, but as it was my father who had introduced me to the likes of Sam Cooke, James Brown and Dionne Warwick in my younger years. I definitely expected him to know the name MILES DAVIS!

We continued exploring each other’s knowledge. We took turns in mentioning musicians’ names and then nodding our heads in acknowledgement. My father mentioned the name Buddy Rich, to which I replied,

“Never heard of him!”

My father nearly fell off his ladder.

“Never heard of him!” my father retorted. “How could you have not heard of possibly the greatest jazz drummer of all time?”

Such is the beauty of music. It doesn’t matter how long you have been listening or collecting music. It doesn’t matter how dedicated or passionate you are… you will never know it all.

I initially purchased “Kind of Blue” on CD format. As my ears ‘and thoughts’ became more refined, I began to realise that there was a great deal more flavour, texture and overall ambience on offer. Unfortunately the dreaded digitally re-mastered CD and player struggles to re-produce such detail. I had been searching for a copy of this album on good old vinyl off and on for many years. I managed to pick up a relatively clean and affordable copy today (12th November 2005). ‘What a difference’.
I can hear ‘and feel’ so much more of what each musician is actually trying to say. I sat in my listening chair spellbound. Almost as if I was hearing this recording for the first time.

Robin Francis
12 November 2005






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Recommended
Listening

 

Of course there are many Miles Davis recordings available.
I am still learning much about this man and his music.
After much experimentation, listening and then re-visiting his albums over many years,
Kind of Blue, Tutu and Porgy and Bess are my absolute favourites.
I do like Davis’s edgy cover of Cindi Lauper’s “Time after time”
from the album “You’re Under Arrest”.
I still re-visit the album "Siesta" from time to time as this album does arouse my curiosity,
but I still don’t quite ‘get it’ as yet.

 

You're under arrest
Miles Davis & Marcus Miller - Siesta (1987 film soundtrack)
Porgy And Bess
Tutu
Kind of Blue

 

Further
Recommended
Listening

 

Eddie Henderson - Dark Shadows (Click to go to his page)
Oliver Nelson - The Blues and the Abstract Truth (Click to go to his page)

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