This
shortlist has been compiled after stringent testing and viewer feedback.
We believe the improvement they make to hi-fi system and listening
pleasure makes each accessory worthy of its price tag.
Your feedback is important!
If you believe there is an accessory that should be included here
let us know and we will check it out.
Click an image to reach
each company website.
Interconnects
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Kimber
Select KS-1116
As mentioned below. With any cable, interconnect or component,
transparency and neutrality is the key!
Testing large components for the above traits is more difficult
as you will possibly never get the opportunity to test more
than half a dozen amplifiers or turntables (for example)?
Cables and
interconnects can be delivered on a trial basis from many
reputable companies.
The Kimber
Select KS-1116 XLR balanced cable was delivered to us on
a 60 day trial basis. We slotted them in between our Whest
PS.40RDT Special Edition phono stage and Musical Fidelity
M8 PRE preamplifier. At the time we were testing various
amplifiers such as the Musical Fidelity M6 PRX, the revered
Musical Fidelity Nu-Vista 800 integrated amplifier and the
Luxman M700-u amplifier. No matter what the combination
of amplifier used, the KS-1116 came out on top. Within a
few hours of listening (even before the cable had run in)
we were confident we would not be returning it. Clarity
and transparency on a level not heard before. Yes this is
more expensive than any XLR balanced interconnect on our
essential accessory list, but it is now the interconnect
we use as our reference.
Russ Andrews offer a 60 day money back guarantee.
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Cambridge
Audio 300 Series XLR interconnects
We have used various balanced interconnect cables between
our Whest PS40RDT phono stage and Musical Fidelity M8 preamplifier.
This is the cheapest and most remarkable cable so far. This
plain looking grey cable is by far one of the most transparent
cables we have ever used. AND it is cheap. I have seen pristine
used 300 Series cables going for as little as £25
online. A real bargain!
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Audioquest
Red River XLR interconnects
A high specification high performance cable. Many music lovers
have used this interconnect (including us).
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Mains cables




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Russ
Andrews PowerKord-300™ UK mains & W350 EVO Gold
+ SC
A controversial upgrade area to discuss!
Like many chosen accessories (or upgrades), the improvements
specific power cables can make to any system can be can
be subjective and will depend upon a variety of factors
such as the quality of your existing mains cables, quality
of the mains itself, your individual components etc. We
have been using our existing mains cables for many years
with no noticeable problems, however, we were curious to
see (and hear) were this upgrade path would take us. Would
we stick with our existing cables, or would we be convinced
to upgrade?
Upgrade cables
use a variety of metals proven to be superior conductors
(such as silver). Some cables (or rather, the metals used
within the cables) boast ‘Deep Cryogenic Treatment’!
Special weaving of cables and specific materials are used
for the outer sheaves. All of the above is used (or done)
to improve conductivity and reduce radio frequency interference,
also known as electromagnetic interference (EMI).
You may have
never thought about RFI - EMI polluting your hi-fi. I never
gave such issues much thought. I confess to have considered
those who were concerned about such level of refinement
could benefit from getting out more often, or perhaps regular
exercise? Well, I do both, so here goes…
Yes, there
are a variety of mains cables on offer with a variety of
price tags. We tested cables ranging in price from £60
to £450 over a two month period. We first experimented
with upgraded mains cables to our main source (AMG Viella
V12 turntable) and phono stage (Whest Audio PS40RDT), however,
we found no, or little change in what we heard so continued
to use our standard supplied cables with these units. We
moved down the chain to our power and preamplifier (M8-500S
power amplifier with the M8PRE preamplifier). We quickly
discovered using specific upgrade mains cables for each
of these units resulted in the most sizable audible change.
A few of
the lower priced mains cables tested (£60 - £100)
made no audible difference to the musical presentation.
Some had a brightening effect to the top end while somehow
muting the midrange, giving the impression of a lower noise
floor. One mains cable priced at just over £450 did
increase bass resonance, however, again we noticed compression
of the midrange area, as well as an unnatural ‘steely
like compressed’ top end.
Throughout this ‘testing time’ we switched back
to our existing standard mains cables to insure we were
judging each new cable against the same starting point (from
ground zero so to speak).
Introducing
the Russ Andrews PowerKord-300™ UK mains & W350
EVO Gold + SC
Using the PowerKord-300 & W350 EVO Gold + SC cables
with our power and preamplifier was a revelation. From the
outset it was ‘clear’ we were dealing with a
completely different type of cable!
With the
two PowerKord-300 & W350 EVO Gold + SC cables in-line,
the sonic picture laid before us became more musically sculptured.
Piano key strikes became more percussive with individual
keys, symbol, brush and drum strokes being more defined.
Soaking up the soul / gospel harmonies of the Ojay’s
with the sad but soothing “Brandy” or the uplifting
“Stairway to Heaven” emphasised the effortless,
rich voices of this celebrated trio like never before. Herbie
Hancock’s signature piano from his 1963 Blue Note
“Inventions & Dimensions recording (Blue Note
84147 Music Matters 2 disc 45rpm) feeling more percussive
than ever before. Willie Bobo’s drum and timbales
together with Osvaldo “Chihuahau” Martinez’s
congas & bongos noticeably more defined with a greater
sense of ‘in the room’ presence. Bass was also
noticeably leaner (less boom). We appreciated the faster,
tighter presentation. (Though this might not be to everybody’s
taste). Whatever album we chose to spin, we were compelled
to listen and somehow feel more involved.
Yet another
invisible vale has been removed from our system thanks to
Russ Andrews’ PowerKord-300™ UK mains &
W350 EVO Gold + SC. This is without doubt the most effective
non ‘main component’ improvement upgrade we
have made to date!
Russ Andrews
offer a 60 day money back guarantee.
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Room
treatment
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Acousticspares
by Studiospares
Acoustic panels, acoustic tiles and acoustic bass traps
by Studiospares in London
After experiencing the substantial improvement room treatment
will make to the overall listening experience, I am shocked
and horrified it took so long to sort this out!
“…There
are several professional companies who can do this for you,
but if you want to do this yourself there are very simple
rules when it comes to treatment. You need a mix of reflection,
absorption and diffusion. But you need to start at your
1st reflection points. Side walls, ceiling, front and rear
wall. Your ears need to deal with these first and their
path lengths are long enough to confuse the brain when it’s
processing the direct sound from the speakers…”
The cost of this treatment
will vary depending on the size of your room, your equipment,
soft furnishings etc. Experimentation is key. There are
also various online outlets you can use to purchase acoustic
panels, bass traps etc. However, you will not benefit from
valuable advice.
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Speaker
cables
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Kimber
8TC speaker cable
Speaker cable is the final hurdle before the signal
from your components reaches the speakers!
There are various technical explanations on speaker cables
(and other interconnect) properties on the net explaining
impedance, capacitance and inductance, so feel free to search
for bed time reading. Owners of older Naim amplifiers are
especially encouraged to read (or contact Naim) for advice
on speaker cables!
Chord Legend
bi-wire speaker cable has been my staple cable for over
twenty years. Though this cable received a lukewarm response
from hi-fi critics (ignored by me) when first introduced
in the 90’s, it stood the test of time through my
various source, component, interconnect and speaker upgrades
over the years. It was first connected to my stand-mounted
Castle Tay speakers (hence the requirement for bi-wire cable).
My MartinLogan Scenario electrostatic speakers (purchased
in the early 00’s) do not have bi-wire capabilities,
so all the copper strand ends of this cable were twisted
together to enable use of all available strands. Music loving
colleagues have tempted me with various replacement speaker
cables at various price ranges with promises of ‘more
& better’ over the years, however, no speaker
cable has ever come close to the transparency and smoothness
of the Chord Legend, up until now!
A loan pair
of Kimber 8TC speaker cable was kindly provided by a website
viewer who insisted I should try his long-time owned blue
/ brown coloured 5m pair while he enjoyed a two week holiday.
I consistently declined the offer until he presented the
cables to me in a plastic bag one evening. I reluctantly
lay the cables crudely across the floor believing it would
be an easy quick ‘thanks, but no thanks’ decision.
Within a few minutes I realised Kimber 8TC was a different
kind of speaker cable!
Even before
settling back into my listening chair, I noticed a change
in the musical presentation in the form of greater depth
(especially with the lower octaves) as well as the change
in the noise floor (which as far as I was concerned was
already dark). It had now dropped away to an even darker
beguiling inky black. If anyone had suggested the noise
floor could have been lowered any further than it already
was, I would have strongly disagreed.
Once I settled
into my listening chair (sweet spot) I began to take full
stock of changes and determine whether these changes were
actual improvements without detriment to other areas of
listening? Thankfully, I was able to switch back and forth
between the Kimber 8TC and Chord Legend within seconds,
so I could actually hear the difference with each speaker
cable on individual recordings and passages on sections
of music on vinyl and CD. There was no doubt; with the Kimber
8TC in-line my system components simply became more transparent
(I did not believe this to be possible) but I could hear
(and feel) a greater sense of freedom of expression and
musicality overall.
I continued
to listen with the Kimber 8TC in-line (occasionally swapping
back to the Chord Legend). I definitely felt a sense of
loss when I was ‘forced’ to hand back the Kimber
8TC after my two week greater musical discovery.
Just before
ordering my required 7m lengths of Kimber 8TC, I spoke to
another website viewer regarding his recent Kimber 12TC
speaker experience and decided to explore further…
Russ Andrews offer a 60 day money back guarantee
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Kimber
12TC speaker cable
‘Building on the quality and reputation of 4TC and
8TC, this latest addition to our range sees Kimber introduce
12TC with its 24 individual VariStrand™ conductors.
It’s like 8TC on steroids! Everything we like about
8TC is lifted up another level – we found it a significant
upgrade, especially in terms of musical involvement and
an overall lift in performance right across the frequency
range.’ Russ Andrews
After two
weeks of musical discovery with the Kimber 8TC, I was given
the opportunity to explore Kimber 12TC via yet another generous
viewer. Just as with the 8TC cable, it was immediately clear
the 12TC was special. Obviously, at this price range £823
for 2.5m pair with Kimber banana plugs, this cable
would have to prove itself especially worthy of being added
to the Essential Accessories page.
Kimber 12TC
displayed similar characteristics as 8TC, but with extra
oomph. It is important to note that the ‘extra’
this cable gives is not forced or exaggerated in any way.
Just as with Kimber 8TC speaker cable, 12TC simply allowed
my system components and interconnects to ‘almost
not exist’. There appeared to be greater space and
air around musicians and instrumentation allowing music
and artistic intent just to flow. The multi-layered, multi
textured sax’s of John Handy and Booker Ervin on Charles
Mingus “Goodbye Pork Pie Hat” (for example)
being more distinguishable than ever before.
I have used
MartinLogan Scenario hybrid electrostatic speakers for nearly
twenty years now. I have always loved the transparency and
three-dimensionality such speakers offer. Using both 8TC
and 12TC, I could sense a greater level of depth afforded
with both speaker cables.
To
insure I was not falling foul of the ‘this is new
so it must be better’ psychological trick, I continued
to swap between my original Chord Legend and the Kimber
12TC periodically…
As
I have stated in the 8TC experience review, I have been
tempted to change my Chord Legend speaker cable before with
various offers from friends, colleagues and cable companies.
Some speaker cables have proved to be quite good. However,
on occasions I have been tricked (excited) by the increase
in ‘brightness’ offered by a few cables. Sometimes
a brighter presentation can give the illusion of greater
clarity, however, closer listening to individual instruments
and reflecting on recent live unamplified performances by
my favourite musicians allows me to return back to ‘realism
earth’.
Kimber 12TC
speaker cable sent me deeper into recordings and opened
a bigger, more realistic musical window (especially on vinyl).
For me, any component, interconnect (or otherwise) that
allows me to get even closer to the source (so to speak)
will always be a winner.
I now
use Kimber 12TC speaker cable in my system!
Other
speaker cable considered: Chord Epic, Chord Epic XL &
Chord Signature XL.
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Tables
& platforms
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Quadraspire
racks & tables
We adore Quadraspire racks and tables! Way back in 2000 we
spent months comparing at least seven different company racks
utilising various materials. The difference each table made
to the overall sound was staggering. Listening to music on
each table was akin to changing individual components! Our
challenges were featured within a very well-known hi-fi magazine
(which included embarrassing photographs of a very inexperienced
young man). Quadraspire racks easily came out on top for their
build quality and neutrality. Quadraspire offer various options
depending on taste and equipment size.
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Turntable
& record accessories
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AccuTrak
Arc Protractors
‘Few activities in audio are more frustrating,
intimidating, or mind numbingly tedious than aligning a
petite and delicate (and sometimes expensive) cartridge
onto the headshell of a tonearm…’ Accutrak
Correct cartridge
alignment is essential! I have looked at several protractors
and used a few over the years. Prices range from as little
as £15 upwards to £130. I found the AccuTrak
protractor to be one of the most reliable (for accuracy)
and ease of use. Each protractor is custom made
for your specific turntable and tonearm. £60
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Okki Nokki record
cleaning machine
I have been collecting
records for nearly forty years. The only type of cleaner
I possessed for most of those forty years is a single carbon
brush!
After months of research
into various record cleaners at prices from £40 to
£2600, I am extremely happy with the Okki Nokki rcm
at around £490 (including dust cover). In
fact all of my friends and colleagues are happy with my
Okki Nokki rcm as they tend to turn up with either new,
second hand, or existing records from their collections
asking for “a favour.” Perhaps I should consider
starting a record cleaning service!
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Vinyl Clear
Stylus Cleaner
After using another respected and more expensive stylus
cleaner for many years, it was difficult to change to a
different (and cheaper) cleaner. We have always been very
cautious with regards to using wet cleaners due to various
reports of liquids ‘dissolving the glue that binds
the stylus to the cantilever’. (ALWAYS
FOLLOW YOUR CARTRIDGE MAKER’S INSTRUCTIONS).
We have been using Vinyl Clear Stylus Cleaner for eight
months and can confirm we have had no problems whatsoever.
In fact, we have found Stylus Clear to be more affective
at removing stubborn dirt than our previous cleaner. We
use a pair of glass magnifiers to thoroughly examine the
stylus tip and cantilever. We use a soft dry brush as a
well as Stylus Clear wet cleaner with a firmer brush periodically
for optimal cleaning results.
£16 from Amazon
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Vinyl
Passion Dust Buster
A firm viewer favourite & multi-award winner. The Dust
Buster is widely used by many vinyl lovers!
‘The
Vinyl Passion Dust Buster presents a radical new approach
to stylus cleaning. The VP Dust Buster offers the finest
protection for your stylus, increasing its life by up to
1000 hours. This makes it a superb investment which is very
easy to use. The VP Dust Buster will give trouble free service
and keep both your stylus and vinyl in pristine condition.
All record collectors will know the importance of keeping
vinyl clean to preserve the recording but even more important
is the cleaning of the stylus. We inspect stylus and cantilever
assemblies regularly and over the years the main culprits
for premature failure and poor sonic results are often a
direct result of improper cleaning & solvent based solutions.
The Dust Buster removes the stress and makes it simple to
keep your stylus pristine. Thousands of Dust Busters have
been sold all over the world…’
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Spin
Care Ultra Premium 12" Inner Vinyl Record Poly Lined
Sleeves
It is imperative you replace paper inner liners supplied with
most records with a poly inner liner! Good quality poly inner
liners will reduce the possibility of paper and dust scratches
as well as reducing static. |
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Goldring
Exstatic anti-static record inner sleeves
Another favourite high quality inner sleeve normally sold
in packs of 25. Very highly recommended for all who collect
records. Available on Amazon, Ebay and other online
hi-fi / record outlets.
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Divine
Audio 70GSM 12" Anti-Static White Inner Record Sleeves,
Pack of 50
Quality on a budget! Using premium 70GSM white paper, these
sleeves are thicker than your usual paper sleeves but are
still very flexible. The inside of the sleeve is fully encapsulated
in a silky soft vinyl friendly anti-static plastic, with no
lip on the sleeve. Ash & Acid Free Paper. 70GSM Unbleached
Long Fibre Pulp Paper, from sustainable forests in Finland
& Sweden. Fully encapsulated high density polyethylene
lining by Nagaoka of Japan. Easy insertion of the LP into
the record jacket. 200g records slide in and out of these
sleeves with no problem. Manufactured in Germany.
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Keystrobe-duo
+ Reference Standard Disc combo
This KeyStrobe kit is a no fuss easy to use combo for turntables
that require 33 / 45 speed adjustment. (An ideal partner
for the Origin Live Ultra upgrade kit).
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Neoteck
Digital Turntable Stylus Force Scale
Accurate stylus force is important for ensuring the playback
result and life of your valuable records and cartridge.
There are
many digital stylus force gauges available. Not surprisingly
many of them look remarkably similar. Prices range from
as little as £9 to a staggering £250!
We have used the £25 manual Shure SFG-2 Stylus (or
tonearm) Tracking Force Gauge for a while with various degrees
of accuracy, however, even these cheaper digital stylus
force gauges have a tried and tested precision accuracy
rating of between ±0.01g, so why would you want to
use a £25 manual gauge?
The accuracy
of Neoteck Digital Turntable Stylus force scale has been
thoroughly tested over a period of two years by us. The
improved model (NTK002) is even more accurate and reliable.
It is easy to use and we have found the company extremely
prompt and helpful regarding any questions we have
raised.
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Turntable covers
by Plastic Online Ltd.
‘At Plastic
Online we pride ourselves on quality. We offer broad industry
knowledge and our professional team are able to assist with
design and material selection for any project whether it
be a one off or large quantity.’
After spending your hard
earned cash on your dream ‘lid less’ turntable
it can be a little daunting locating the right company to
make and supply the lid (or cover). After much research
and communication with various companies, we decided to
put our trust in Plastic Online. With expert assistance
from Plastic Online, we designed the acrylic cover all the
way, from the size of the rear cable cut outs, through to
the personalised ‘AMG logo on the front bottom. We
were rewarded with a beautifully built bespoke plastic cover
for our AMG Viella V12 turntable which covered the whole
turntable. The cost of our cover came to a respectful £185.
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Wall
sockets
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Vinyl
Passion 2 Gang Silver plated wall socket
I was extremely
doubtful and even reluctant to try this double wall socket.
After making various substantial physical improvements to
my system including turntable, amplifier and phono stage
upgrades, a specialist wall socket was far from my list
of priorities!
After a swift
swap with my existing standard switched double socket for
the A-B listening test, the difference was subtle, but CLEAR!
A cleaner, more focused presentation. Yes I was surprised
and really did not want to believe it. I continued to listen
(and continued further A-B swaps). I will not be swapping
back to the standard switched double socket!
Double wall socket price £38. (A small price
to pay for greater clarity)!
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Further
Recommended
Viewing
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Use the link below to view the Ballerina Sweetspot
Chair…
Go
back to Hi-Fi Experience Main Page.
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